Roto, prep, matchmove, comp, wire removal, keying and cleanup — book one, or the whole show under one supervisor and one colour pipeline.
- 01
Rotoscopy
Frame-accurate articulate mattes for hair, motion blur and semi-transparency on 4K, 6K and 8K plates — built to survive close inspection on a cinema screen.
Articulate mattes
- 02
Paint & Prep
Rig, marker and stunt pad removal, camera and crew reflections, slimming and beauty work, and clean-plate reconstruction — so compositing starts from a frame that needs no apologies.
Clean plates
- 03
Matchmove
3D camera, object and body tracking delivered in your scene format, with lens distortion solved and undistort maps ready to go.
Camera & object tracking
- 04
2D Compositing
Multi-pass CG integration, set extension, sky replacement and atmospherics — Nuke-native, colour-managed end to end under ACES.
Where the shot becomes a shot
- 05
Wire Removal
Wires, harnesses, safety rigs and crew reflections removed without a trace — through motion blur, hair and fast camera moves.
Rig & harness removal
- 06
Keying
Green and blue screen extraction with spill suppression and edge treatment that survives a heavy grade.
Green & blue screen
- 07
Cleanup
Dust, scratches, dead pixels, crew reflections, tape marks and beauty work — removed frame by frame without touching anything else.
Beauty & plate cleanup
The Pipeline
How a shot
moves through
Every discipline hands the next one something. Scroll the strip, hover a stage to see what it passes on, and click through.
- 01RotoscopyMattes hand compositing a clean edge for light wrap, grade isolation and CG integration.
- 02Paint & PrepA clean, stable plate that lets keying, matchmove and compositing work on the shot instead of on the rig.
- 03Wire RemovalA rig-free plate that keying and compositing can treat as if the stunt was never wired.
- 04CleanupA finished plate: nothing added, nothing left that the frame did not need.
- 05KeyingA clean alpha that lets compositing wrap the new background around the subject without a halo.
- 06MatchmoveA locked camera and undistort maps that let compositing place CG, set extensions and clean-plate projections with confidence.
- 072D CompositingThe finished frame — graded, checked and delivered as EXR or DPX to spec.
- 08FinalGraded, checked frame by frame, delivered to spec and archived for the life of the show.
Next Project
Have a VFX
project in mind?
Send us a cut, a plate or a shot count. You will hear back from the supervisor who would run your show, with a breakdown, a schedule and a number.