A visual effects studio built around invisible work — roto, prep, matchmove and compositing for shots that have to hold up on a cinema screen.
Selected Work
Shots that
carry the scene
What We Do
Five disciplines,
one standard
We take the shots other vendors hand back. Every discipline runs under one supervisor, one colour pipeline and one delivery spec — so nothing gets lost between departments.
01Rotoscopy
Frame-accurate mattes that hold up at 4K, 6K and 8K.
Hand-crafted articulate mattes for hair, motion blur and semi-transparency on 4K, 6K and 8K plates — built to survive close inspection on the big screen. Every shape is tracked, not stepped, so edges stay honest through the whole cut.
Explore Rotoscopy→- Articulate mattes
- Motion blur
- Hair & fine detail
- 4K / 6K / 8K plates
02Paint & Prep
Clean plates that nobody ever notices.
Rig, marker and stunt pad removal, camera and crew reflection removal, slimming and beauty work, dust-busting, split-screens and clean plate reconstruction. We rebuild what the camera saw before the rig got in the way, then hand compositing a plate that needs no apologies.
Explore Paint & Prep→- Clean plates
- Marker removal
- Stunt pad removal
- Reflection removal
- Slimming & beauty
- Dust-bust
- Split screens
03Matchmove
Camera and body solves that lock, dead-on.
3D camera tracking, object tracking, set survey integration and body matchmove. Solves are delivered in your pipeline's scene format with lens distortion and undistort maps ready to go.
Explore Matchmove→- Camera solve
- Object track
- Body matchmove
- Lens distortion
04Compositing
Where the shot finally becomes a shot.
Multi-pass CG integration, set extension, sky replacement, atmospherics and final grade-ready deliveries. Nuke-native, colour-managed end to end under ACES.
Explore Compositing→- CG integration
- Set extension
- Sky replacement
- ACES / colour
05Wire Removal, Keying & Cleanup
The invisible work that sells the stunt.
Wires, harnesses, safety rigs and crew reflections removed without a trace. Green and blue screen extraction with spill suppression and edge treatment that survives a heavy grade.
Explore Wire Removal→- Wire & rig removal
- Green / blue screen
- Spill suppression
- Beauty cleanup
Before / After
Drag to see
the difference
Rooftop plate shot against green with a full wire rig. Wires and stands removed, screen extracted, skyline built and the whole frame regraded for dusk.
Keying
Green screen extraction + spill
Wire removal
Rig and harness paint-out
Set extension
Full CG skyline build
Compositing
Atmos, light wrap and grade
The Studio
Built by
compositors
AronFX is a visual effects and post-production studio working with feature, episodic and commercial clients across two time zones. We were started by artists who got tired of handing shots back and forth — so we built a studio where the supervisor who bids your show is the one reviewing it on delivery day.
Colour-managed ACES pipeline, Nuke-native compositing, daily reviews, and security practices that pass studio audit. No outsourcing, no surprises, no compromise on the frame.
Workflow
- 01
Plate intake
Secure delivery, conform and technical QC within 24 hours.
- 02
Bidding & breakdown
Shot-level methodology, complexity banding and a schedule you can hold us to.
- 03
Production
Daily reviews on Syncsketch or ftrack, with a named supervisor on every show.
- 04
Delivery
Colour-managed EXR or DPX to spec, versioned and archived for the life of the show.
Locations
Princeton, New Jersey
Supervision & client services
Hyderabad, Telangana
Production hub
The Reel
Showreel · March 2026
Next Project
Let's create
something extraordinary.
Send us a cut, a plate or a shot count. We'll come back with a breakdown, a schedule and a number — usually within two working days.